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在接下來的頁面中,您將看到藝術家鮑勃·休斯(Bob Hughes)創作的藝術品的示例。從他新的AVI繪畫風格(抽象矢量印象派)開始,然後他逐漸發展為他的更多傳統繪畫風格。也有他的計算機生成(CG)數字繪畫,石墨繪畫,En Plain Air繪畫以及他的一些演示(藝術俱樂部和社團)繪畫的示例。 還有一個指向另一個畫廊的鏈接,您可以在其中“在牆上看到藝術品”,在這個畫廊中,您可以看到畫框和牆壁上的繪畫和石墨肖像。通過單擊上面的鏈接或單擊下面的圖像,您將被帶到相應的頁面。
本頁圖像下方是Bob的網站的新增內容,Bob的網站是他在ArtSteps中創建的3D藝術畫廊。點擊電影,坐下來,您將被帶到他的美術館參觀。您不僅可以從該網站的頁面上看到藝術品,而且可以在畫廊的框架和牆壁上看到藝術品。如果您想靠近任何藝術品,可以單擊任何圖像以查看有關該圖像的更多信息,畫廊是完全互動的。
在左側的3D畫廊中,有四個圖標。說明,全屏模式,視頻質量(正常或高),最後是聲音,請注意;這次旅行沒有聲音。您可以通過單擊屏幕來與圖庫進行交互,如果門是關著的,請單擊它以打開,如果您需要更多時間閱讀說明,請單擊並按住或向上或向下滾動。單擊轉義再次進入普通視圖,此巡視過程將持續大約9分鐘,每個步驟的持續時間約為8秒,請注意,最好在計算機顯示器上觀看3D畫廊。
最好在計算機顯示器,筆記本電腦或平板電腦上觀看該遊覽。如果您使用的是華為Android手機,則可能會發現該應用無法在您的設備上運行。
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Abstract Vector Impressionism
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Traditional Painting
Welcome to my ‘traditional paintings’ gallery, here you can see a selection of my paintings on canvas and on panel. Some of the paintings here have their own story to tell, take ‘In Good Company’ for example, apart for being the escort ship to the Royal Yacht Britannia for the 1993 Battle of the Atlantic Commemorations (B93) which were held on the River Mersey in Liverpool, HMS Cornwall was also at the centre of an International incident in 2007. Click on an image below to see an enlarged version of the image then scroll to the next image.
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Drawings
Wood Carver Bernard Blackburn working on a commission for a Church
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CG (Computer Generated) digital paintings
In this gallery you can see examples of my CG (computer generated) digital paintings. I started experimenting with digital painting years ago. There is a learning curve that comes with this medium, not least of which is learning 'hand eye' co-ordination using a Wacom Intuos graphics tablet and a stylus (pen). How it works is this, you look at your monitor screen while you are working on a painting or drawing, while, at the same time you are actually drawing on the tablet with a stylus…it's tricky at first but you don't notice after a short time as it becomes natural to you.
I stopped painting digitally when I tried to enter them into art competitions and exhibitions…"digital paintings not allowed" they said. Another reason is you do not have a 'hard' copy of your painting when it is finished as you have with an oil painting or watercolour etc. your digital paintings are stored inside your computer.
Another important factor was the cost of printing artwork onto canvas, it is an expensive process but most importantly, you absolutely need to find the right people who can do the job such as fine art printers who specialise in this process, not to do so can prove to be disappointing and costly.
Now I work directly on to a Wacom Cintiq 27QHD (46.5 x 77cm), owning a Wacom Cintiq has been on my bucket list for years, it is an amazing piece of kit, now I can draw and paint directly onto the screen, but I use it primarily for planning and creating ideas for my none digital artwork such as my AVI paintings
I stopped painting digitally when I tried to enter them into art competitions and exhibitions…"digital paintings not allowed" they said. Another reason is you do not have a 'hard' copy of your painting when it is finished as you have with an oil painting or watercolour etc. your digital paintings are stored inside your computer.
Another important factor was the cost of printing artwork onto canvas, it is an expensive process but most importantly, you absolutely need to find the right people who can do the job such as fine art printers who specialise in this process, not to do so can prove to be disappointing and costly.
Now I work directly on to a Wacom Cintiq 27QHD (46.5 x 77cm), owning a Wacom Cintiq has been on my bucket list for years, it is an amazing piece of kit, now I can draw and paint directly onto the screen, but I use it primarily for planning and creating ideas for my none digital artwork such as my AVI paintings
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En Plein Air
This is my En Plein Air paintings gallery, the paintings you see here were painted on location in and around the area where I live in Sefton on Merseyside with the exception of FSC Preston Montford Hall Field Study Centre in Shrewsbury, I painted this as a demonstration piece for a group of students on a weekend painting workshop I was running at the centre which was organised by The Artists & Illustrators Magazine The Artists & Illustrators Magazine.
The plein air approach was pioneered by John Constable in Britain c.1813–1, but from about 1860 it became fundamental to impressionism. The popularity of painting en plein air increased in the 1870s with the introduction of paints in tubes (resembling modern toothpaste tubes).
The plein air approach was pioneered by John Constable in Britain c.1813–1, but from about 1860 it became fundamental to impressionism. The popularity of painting en plein air increased in the 1870s with the introduction of paints in tubes (resembling modern toothpaste tubes).
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Demonstration paintings
On this page you can see samples of demonstration paintings which were painted for art clubs, art societies, small businesses and including painting workshops around the North West and Central parts of the UK and North Wales. Painting demonstrations are usually two hours long unless you have a workshop directly after the demonstration which could be another two or three hours long.
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Fine Art Giclee Prints
A brief history of giclée printing /archival pigment prints
Giclee prints are often known in exhibitions as archival pigment prints, this term is increasingly becoming the standard term used in the art world.
The word Giclée ("gee-clay"), is based on the French verb gicler which means "to squirt or spray” and was originally coined by printmaker Jack Duganne in 1991. Giclée printing is a fine art digital printing method using specialist archival pigment inks and acid-free papers; creating gallery-quality inkjet prints with excellent depth of colour, longevity and stability.
The print process involves squirting microscopic dots of pigment ink onto high-quality fine art or photographic papers using sophisticated high-end inkjet printers with exceptional accuracy, wide tonal range and colour gamut.
Studies have shown that Giclee Prints colour vividness can last in excess of 200 years with tests by independent bodies such as Wilhelm Research and printer manufacturers such as Epson. This gives assurance to collectors and art buyers of this type of printing method.
Giclee prints are often known in exhibitions as archival pigment prints, this term is increasingly becoming the standard term used in the art world.
The word Giclée ("gee-clay"), is based on the French verb gicler which means "to squirt or spray” and was originally coined by printmaker Jack Duganne in 1991. Giclée printing is a fine art digital printing method using specialist archival pigment inks and acid-free papers; creating gallery-quality inkjet prints with excellent depth of colour, longevity and stability.
The print process involves squirting microscopic dots of pigment ink onto high-quality fine art or photographic papers using sophisticated high-end inkjet printers with exceptional accuracy, wide tonal range and colour gamut.
Studies have shown that Giclee Prints colour vividness can last in excess of 200 years with tests by independent bodies such as Wilhelm Research and printer manufacturers such as Epson. This gives assurance to collectors and art buyers of this type of printing method.
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See Artwork on Walls
Checkout this page to see art from this website framed up and on living room walls, hopefully they will give you ideas.
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